The Value of Culture : Congolese Art and the Promotion of Belgian Colonialism (1945–1959)

Fiche provisoire

Titre The Value of Culture : Congolese Art and the Promotion of Belgian Colonialism (1945–1959)
Type de publication Article de périodique
Langue principale de la publication anglais
Date de publication 2013
Auteur Sarah VAN BEURDEN
Titre du périodique History and Anthropology
Éditeur Routledge
Genre article scientifique
DOI http://dx.doi.org/10.1080/02757206.2013.813849
URL https://www.academia.edu/12575272/
Résumé/Présentation " Based on the scholarship of Frans M. Olbrechts and the changes implemented in the  Museum of the Belgian Congo during his directorship (from 1947 until 1958), thisarticle argues that the institutionalization of African artefacts as art served the late Belgian colonial regime in promoting its renewed postwar commitment to the Congolese colony. In their reinvention as art and subsequent re-installation in modernist displays,the objects acquired not only a cultural, but also an economic and political value asresources, which led to their co-option in the  mise-en-valeur, or valorization, of the colony and fuelled a colonial rhetoric that replaced an earlier emphasis on the civilizing mission with a construction of cultural guardianship based on the universal value of the objects as art."
Référence complète Van Beurden, Sarah. The Value of Culture : Congolese Art and the Promotion of Belgian Colonialism (1945–1959). In : History and Anthropology, 2013, p.1-21.

Auteurs

Sarah VAN BEURDEN

Biographie : Doctorat en histoire à l’université de Pennsylvania. "Maître de conférence en histoire à l’université d’Ohio et professeur invité à l’université de Gand" (2018)
Nationalité : Belgique